Battle of Grunwald 1410

The first clash to which we devote more attention is the battle of Grunwald on July 15, 1410. In this confrontation, which was one of the largest in the history of medieval Europe, the joint Polish-Lithuanian forces with their allies and the army of the Teutonic Order gathered together representatives of many nations.

Educational films

(In Polish)

Battle of Grunwald

Cords and knives

Battle of Grunwald

Hoods

Battle of Grunwald

Firearm

Battle of Grunwald

Daggers

The Great War with the Teutonic Order 1409-1411

CHRONOLOGY

1409 r.

  • Spring 1409 – Anti-Teutonic uprising in Samogitia.

  • 17.07.1409 – Łęczyca Congress – decision to send the Polish mission to the Teutonic Order.

  • 01.08.1409 – Polish emissaries in the captial of the Teutonic Order – Marienburg (Malbork).

  • 14.08.1409 – Meeting in Korczyn, the Teutonic Order declares war on Poland.

  • 16.08.1409 – The Teutonic Order army cross the borders of Poland.

  • 02.09.1409 – The Teutonic froces capture Złotoria – the last Polish Castle in Ziemia Dobrzyńska.

  • 15.09.1409 – Concentration of Polish troops in Wolbprz and preparation for a counteroffensive.

  • 06.10.1409 – Polish force capture Bydgoszcz.

  • 08.10.1409 – The Polish-Teutonic truce.

  • 06-14.12.1409 – Great hunting in the Białowieża Forest – Polish troops are getting ready for the war planned for the next year.

1410 r.

  • 29.06.1410 – Bringing the pontoon bridge to Czerwińsk nad Wisłą – an innovative river-crossing solution, prepared by the Polish engineers.

  • 30.06.1410 – Polish forces cross the Vistula River in Czerwińsk – that place was chosen during the Brześć Kujawski Meeting in December previous year.

  • 02.07.1410 – Joining of Polish and Lithuanian troops.

  • 04.07.1410 – End of the Polish-Teutonic truce.

  • 07.07.1410 – Polish and Lithuanian forces capture Bądzyn.

  • 09.07.1410 – Polish and Lithuanian troops cross the Teutonic State border near Lidzbark.

  • 10.07.1410 – Polish scouts reach the Drwęca River crossing near Kurzętnik. The very fast mobilization of the Teutonic Order army.

  • 11.07.1410 – Władysław Jagiełło decides to evade the Drwęca River crossings through Lidzbark Welski, Działdowo and Nidzica, thus bypassing the fortified Kurzętnik.

  • 13.07.1410 – Capture and plunder of Dąbrówno by Polish and Lithuanian forces.

  • 15.07.1410 – The battle of Grunwald – the great Polish-Lithuanian victory and the death of the Grand Master of the Teutonic Order Ulrich von Jungingen.

  • 19.07.1410 – Bringing the Grand Master Ulrich von Jungingen body to Marienburg (Malbork).

  • 24.07.1410 – Grand Master Heinrich von Plauen orders the city of Marienburg (Malbork) to be burned down so that it does not fall into Polish hands.

  • 25.07.1410 – Beginning of the siege of Marienburg (Malbork).

  • 26.07.1410 – The first bombardment of Marienburg (Malbork) by the Polish and Lithuanian artillery.

  • 08.09.1410 – Beginning of the Lituanian withdrawal from Marienburg (Malbork).

  • 19.09.1410 – Polish troops withdraw from Marienburg (Malbork) – the end of the siege.

  • 10.10.1410 – The battle of Koronowo – the Teutonic Order army defeated once again.

1411 r.

  • 01.02.1411 – The Peace of Thorn (The Toruń Treaty) – the formal end of the Polish-Teutonic war.

  • May 1411 – Exchange of documents confirming the Peace of Thorn in Złotoria.

  • 25.11.1411 – The thanksgiving pilgrimage of Władysław Jagiełło from Niepołomice to Kraków. At the head of the procession, the Teutonic Knights’ banners captured at Grunwald were triumphantly carried. They were finally exhibited in the Wawel cathedral.

 

Artifacts

Late-medieval crossbow bolts and cranequin

(Museum of the Polish Arms in Kołobrzeg Collection)

Crossbow bolts and cranequin (crossbow spanning mechanism) from the 15th century, presented in the main, military exhibition of the Museum of Polish Arms.

The neurobalistic weapon in the type of crossbow has been known since the aniquity. It became popular in the Middle Ages, especially during the Crusades. In the 15th century, it was one of the basic types of missile weapons. It is valued primarily due to its long range, firepower and ease of use.

Late medieval Grosses Messer dagger

(Museum of the Polish Arms in Kołobrzeg Collection)

A late medieval Grosses Messer dagger with a curved blade, with an image of an imperial apple and a Passau wolf on its upper part. These signs suggest one of the German manufacturers.

Grosses Messer was a development of the idea of a typical 14th and 15th century Hauswehr dagger (cord). It gained popularity as a side weapon especially of the middle class, mainly in the territories of the Empire. Its massive use dates back to the 16th century a lthough this type of weapon also appeared on the battlefields in the previous century.

Late medieval Hauswehr dagger

(Museum of the Polish Arms in Kołobrzeg Collection)

A typical, late-medieval Hauswehr dagger of unknown origin, in the shape popular in Central and Eastern Europe in the 14th and 15th centuries. The artifact can be seen at the main, military exhibition of the Museum of Polish Arms.

During the battle of Grunwald era, the Hauswehr daggers were a popular side weapon, especially among the lower classes. It was used as an equivalent to a sword entitled only to knights. This kind of weapon have gained great popularity in medieval cities and among infantrymen.

Dagger blade and a scabbard element

(Museum of the Polish Arms in Kołobrzeg Collection)

Dagger blade (14th/15th century) found in the city of Kołobrzeg. The simple shape corresponds to the patterns popular in the battle of Grunwald period throughout Europe. The set is complemented by a fragment of an embossed leather scabbard (the deposit of the Polish Academy of Sciences), also from the Kołobrzeg excavations. Artifacts can be seen at the main, military exhibition of the Museum of Polish Arms.

Puginals were a standard element of individual equipment in the late Middle Ages. Although the combat origin, they were used as an everyday tool. In Poland in the 14th/15th century, the most popular were the so-called Ballock daggers and Rondel ones. Knives of this type were called that time tulich or tylec.

Late medieval spur

(Museum of the Polish Arms in Kołobrzeg Collection)

Preserved in very good condition, a forged knight’s spur found during archaeological research in the area of the city of Kołobrzeg. Its shape and the manufacturing method suggest that it could have been used from the end of the 14th century to the beginning of the 17th century, and therefore also during the battle of Grunwald era. A buckle in the shape found in the late Middle Ages throughout Europe has been preserved on the spur too.

Spurs were used to control the horse, but also testified to the social status. They were worn attached to the heels with straps surrounding the metatarsus.

Late-medieval falchion

(Museum of the Polish Arms in Kołobrzeg Collection)

Falchion or cleaver (14th/15th century) of unknown origin, in a shape reminiscent of a Western European Bauernwehr type weapon. Artifacts can be seen at the main, military exhibition of the Museum of Polish Arms.

In the battle of Grunwald period, falchions were the basic type of infantry armament. They originated from agricultural tools and kitchen knives, becoming popular as early as in the 13th century due to the lowest social classes.

Istotne

Curiosities

Kazimierz V

The duke of Pomerania who supported the Teutonic Order during the battle of Grunwald

CASIMIR V GRYFITA

Although today West Pomerania with the Szczecin Region is an inseparable part of Poland, it is worth remembering that for a large part of its history that land was completely under control or great influence of Germany. The Polish knights realized that totally, when the red Pomeranian griffin flapped next to a banners with Teutonic black crosses during the battle of Grunwald in summer of 1410. It was prince Casimir V Gryfita, who joined the opposite forces that time, being one of the most trusted ally of the Germans.

During the Battle of Grunwald, the duke, born around 1381, commanded the Pomeranian contingent consisting of about 600 soldiers. As a result of the struggle, he found himself in Polish captivity. However, he was not treated as a rank-and-file prisoner – at the invitation of Władysław Jagiełło himself, despite the reluctance of the king, he participated in the triumphant feast. In the following months, probably because the Pomeranians were unable to pay a high ransom, he stayed first in Poland and then in Lithuania. With the intention of his son’s quick return home, his father – Świętobor – went on a pilgrimage to the Holy Land.

Finally, Kazimierz V was released in June 1411 after the guarantee of Bogusław VIII, the Duke of Stargard and Słupsk. This gesture could also be an introduction to cooperation between the Szczecin court and the Polish Crown, despite the fact that the new Grand Master of the Teutonic Order Heinrich von Plauen himself probably participated in mediation. At the same time and to the surprise of the Poles, the Gryfitas entered into negotiations with the Queen of Denmark, Margaret, who officially took them under protection.

Kazimierz V

A year later, together with his brother, Otto II, Casimir V won a tactical victory over the Margraviate of Brandenburg. In this way, he got caught up in a conflict that lasted for the next decade and a half. Polish troops actively supported him. From 1428 he ruled Pomerania himself. He became famous, inter alia, as a reformer of the monetary system and the initiator of the expansion of the castle in Szczecin. He was buried there after his death in 1434. He was succeeded by only 10-year-old Prince Joachim, known as the Younger.

It is worth recalling that the since 2000 coat of arms of the West Pomeranian Voivodeship, the red griffin on a white shield, was directly derived from the Gryfitas heraldry.

The most famous Polish battle-painting

“BATTLE OF GRUNWALD” OF JAN MATEJKO

It is Jan Matejko, who is the author of the most vivid, but also symbolic representation of the Polish-Teutonic clash of July 15, 1410. The monumental painting: “Battle of Grunwald”, was painted in the years 1872-1878 in the master’s workshop in Kraków. The artist sold it to a Warsaw financier, Dawid Rosenblum, for 45000 złoty reński.

The painting, with a canvas length of nearly 10 meters and a height of more than 4 meters, was presented to the public for the first time at the end of September 1878, in the City Hall in Kraków. In the same year, it was taken to Vienna; in March 1879 returned to Poland and was exhibited in the Governor’s Palace in Warsaw. In the following months, a specific tour of the “Battle of Grunwald” took place. It was presented during the painting exhibitions in St. Petersburg, Berlin, Lviv and Bucharest. From April 1880 until the outbreak of World War I, the painting was exhibited in the gallery of the Zachęta Fine Arts Society in Warsaw. In 1902, it finally became the property of this institution.

During the Great War and the Bolshevik Revolution, Matejko’s work was stored in Moscow. It returned to Poland under the provisions of the peace in Riga ending the war with Russia. From 1922 to the beginning of September 1939, it was exhibited again in Warsaw. Just before the start of the siege of the Polish capital by the German army, ”Battle of Grunwald” was taken to Lublin. In fear of being robbed by the Third Reich (the German minister of propaganda, Joseph Goebbels, awarded the prize initially 2,000,000 and finally 10,000 Reichsmarks for finding the painting), it was deposited in a secret place in one of the villages near Lublin. At the same time, a Polish Radio Station in London issued the information about shipping the work to the United Kingdom.

The Matejko’s work was taken from the hideout after the front had passed, in October 1944. It was taken to the National Museum in Warsaw, where it underwent its first renovation in 1945-1949. Since then, it can be seen at the main exhibition of this institution. Between 2010 and 2012, a second restoration of the masterpiece was carried out. During its course, about 200 kg of dirt were removed from the canvas. Its current weight is 290 kg.

About the key figures immortalized by Jan Matejko and their role in the real Polish-Teutonic battle you can learn more from one of the online lessons on our website.

Matejko Bitwa pod Grunwaldem
Matejko Bitwa pod Grunwaldem
Grunwald artyleria

Production of bombards in Poland, during the reign of Władysław Jagiełło

ALL HANDS TO THE GUNS!

The Great War with the Teutonic Order 1409-1411 was the first conflict in the history of Poland in which artillery was used on a larger scale. Władysław Jagiełło was well aware of the importance of this kind of armament, especially during the siege operations. Before he even put the royal diadem on his head, he used this type of weapon during fights with his uncle Kiejstut and his cousin and later ally – Witold. An interesting fact is that the first cannons were handed over to Jagiełło by the Teutonic Knights.

Strengthening the army in the context of the rapidly impending, Polish-German conflict became one of the priorities of the internal policy of the founder of the Jagiellonian dynasty. In 1397, he brought an artillery-master with the first bombards and a supply of gunpowder to Lviv. Soon, the process of producing this type of weapon was launched within the borders of the Polish Crown. Until 1409, it lasted in the mentioned above capital of Galicia and Kraków. Efforts were also made to develop the metallurgical industry in Bochnia, Lublin, Olkusz and Wolborz in a short time. The first names of the Jagiellonian bell-founders manufacturing cannons: Kuawczil and Hallenbazen appeared in documents in 1405 and 1406.

The production of artillery during the reign of Władysław Jagiełło was a long and complicated process. First of all, it required the involvement of a large number of people of various professions: from charcoal burners, sulfur smelters, carpenters and blacksmiths producing elements of primitive, block gun carriers to founders and goldsmiths. The works began with the preparation of a single-use mold, into which the molten metal was poured. After it solidified, the mold was broken and the arduous process of grinding and drilling the smooth barrel began. The whole work was done by hand and required considerable precision, especially since the material from which the cannons were cast was often extremely delicate, vulnerable to cracks. At the same time, cannoneers mixed the gunpowder and stonemasons produced cannonballs using special wooden patterns for an exact calibre.

Grunwald artyleria

As far as production of bombards is concerned, it is also worth paying attention to the source of the raw material itself. Copper came from mines in the region of Chęciny, lead and zinc from Silesia and the Olkusz district. It was also from there, just like from the vicinity of Kielce, that iron ore came to the foundry. Sulfur and nitrate necessary for the production of gunpowder were mined in Podkarpacie, Kraków and, to a small extent, in Wielkopolska.

The priority on the list of artillery deployment in Poland at the beginning of the 15th century were cities and the most important castles, especially from the point of view of securing borders of the state. Assigning the guns to the troops moving into the battles in open spaces was of secondary importance. Despite this, it is estimated that during the Battle of Grunwald, the Polish troops had about 60 cannons of various caliber, and the Lithuanian – about a dozen. At the same time, no less than a hundred bombards and foglers was counted on the German side. A significant part of them fell prey to Poles and was later used, among others, during the unsuccessful siege of the capital of the Teutonic Order State – Malbork.

How true are the natural souvenirs of the great monarch?

OAKS OF THE KING JAGIEŁŁO

The tradition of assigning places or objects preserved to this day to famous personalities from the past has been known worldwide for thousands of years. The situation is no different in Poland, where most of our monarchs assigned certain locations or artifacts, at the same time creating legends repeated for ages. In the case of the winner of the Battle of Grunwald –Władysław II Jagiełło, there are at least two majestic trees.

The history of the first oak, customarily assigned to the founders of the new dynasty, was created by a scientist and writer from Piotrków Trybunalski, Professor Jan Jerzy Karpiński, one of the initiators of the creation of the Białowieża National Park. In the heart of that great forest, he found a majestic oak, almost 40 m high and with a trunk circumference of 5.5 m. He linked it with the story that during the great hunts that preceded the outbreak of the Great War with the Teutonic Order, Władysław Jagiełło was supposed to rest under that tree. The history turned out to be a great marketing success – tourists from all over Poland started to visit Białowieża to admire the so-called royal oak. Could a monarch really appear there? Most likely not. Dendrological studies of the specimen overturned by a storm in November 1974 showed that it is about 450 years old, not enough to remember the Grunwald era. The legend, however, has survived as well as several seedlings grown from acorns of “Jagiellonian” oak. One of them is developing in the Białowieża Geobotanical Station

The second oak connected with the famous ruler is located in a small, picturesque town of Łabiszyn near Bydgoszcz. A natural monument with a trunk circumference of almost 6.5 m, growing on a hill next to the local church, is to be one of two planted by Władysław Jagiełło at the beginning of November 1410. This story may be true, especially since the specimen was estimated to be around 600 years old. Moreover, in the aforementioned period, the king, traveling to Inowrocław from Szubin, after the victorious battle with the Teutonic Knights at Koronowo, actually stopped in Łabiszyn, taking advantage of the hospitality of a local landlord, Maciej Latalski.

Władysław Jagiełło

Stagings

Grunwald in a historical recreation

We present photos from the greatest stagings of the Battle of Grunwald

Projekt

Online Lessons

(In Polish)

Lekcja online "Bohaterowie Grunwaldu" - zapraszamy do obejrzenia spotkania ze słynnym obrazem Jana Matejki. Lekcję poprowadził dr @Łukasz Gładysiak - kierownik ds. naukowych @Muzeum Oręża Polskiego. Projekt dofinansowano ze środków Narodowe Centrum Kultury w ramach programu "Kultura w sieci". #kulturawsieci #MKIDN #NCK #narodowecentrumkultury

Opublikowany przez Muzeum Oręża Polskiego Czwartek, 15 października 2020

Heroes of Grunwald

Who are the characters in the painting

"Władysław Jagiełło - zwycięzca spod Grunwaldu" Lekcję prowadzi dr Łukasz Gładysiak - kierownik ds. naukowych @Muzeum Oręża Polskiego Projekt dofinansowano ze środków Narodowe Centrum Kultury w ramach programu "Kultura w sieci". #kulturawsieci #MKIDN #NCK #narodowecentrumkultury

Opublikowany przez Muzeum Oręża Polskiego Środa, 14 października 2020

Władysław Jagiełło

Winner from Grunwald

Najważniejsze bitwy polskiego oręża. Temat "Krzyżacy", czyli dzieje i droga Zakonu do wojny 1409-1411 r. Lekcję poprowadził dr @Łukasz Gładysiak - kierownik ds. naukowych Muzeum Oręża Polskiego. Projekt dofinansowano ze środków Narodowe Centrum Kultury w ramach programu "Kultura w sieci". #kulturawsieci #MKIDN #NCK #narodowecentrumkultury

Opublikowany przez Muzeum Oręża Polskiego Piątek, 9 października 2020

Teutonic Knights

Grunwald 1410

See the rest of the project!

 The project “The most important battles of Polish arms” is to present selected episodes of Polish military history. Thanks to it, we look closely at not only the course of the clashes, their genesis and consequences, but also the characters significantly influencing the outcome of armed confrontations.

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