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THE
PROJECT
1
2
DEFINING THE
PROBLEM:
3
THE A.D.D. GENERATION
The AFK project is a reaction to the current state of
acceptable social behaviour. The landscape of the so-
cial scene has drastically changed in recent years
with advent of smart phones, social media apps, and
ubiquitous access to the internet. Constant social
gratification via social media apps is leading to socie-
ties development of F.O.M.O, or fear of missing out.
This fear is changing the standard socially acceptable
behaviour. Here poses the challenge.
4
DEFINING THE
SOLUTION:
5
REDEFINING SOCIAL
The solution to this lies within the accepted stan-
dards of what it means to be social, and realize how
this standard has changed over time. The addition of
technology does not excuse a degradation of social
etiquette. Redefining social to embrace new technolo-
gies and communication media, while also encourag-
ing positive social behaviour is the goal of this pro-
ject. Redefining what it means to be social in this day
in age is a necessity.
RESEARCH
2
7
THE NEED
12 SIGNS THAT YOU'RE
ADDICTED TO SOCIAL MEDIA
(excerpts from full article)
Emma Power, a 19-year-old from Sevenoaks,
declares that she feels “panic-stricken
and physically sick” if she does not post
20 ‘selfies’ a day on Facebook. Well, at least
she admits she has a problem. Harry Wallop
takes a look at the 12 surest signs that you too
could be addicted to social media.
1.You can’t get beyond the main course in a
restaurant before you get out your phone
and Instagram the duck confit.
2.The very first thing you do when you wake
up is reach for your phone (always by the
side of your bed, in fact -- usually under your
pillow).
3.Your children catch you trying to post Face-
book updates while reading their bedtime
stories.
4.You greet friends at a party by their Twitter
handle. “Hey, @bobcat100, how are you?”
5.You can not visit the lavatory without using
the 23 available seconds to investigate how
8
many people have liked your photo. Snapchat-
ting a selfie while sitting on the loo is a proof
you have stopped understanding ba-
sic decent behaviour. Rather sadly, so-
cial media has killed off the immensely valu-
able and intrinsically British “loo book” mar-
ket. We now swipe, tap, scroll, wipe.
6.Brian from accounts, on a Monday morning,
asks how was your weekend. And your first
reaction is “What? did you not see all the
amazeball photos I posted on Instagram?
How can you not know that I had a *totes*
great time?” You say: “Er, it was nice.
Thanks.” And then think, I must unfollow
Brian, the ungrateful idiot.
7.You “like” your own updates on Facebook.
You “favourite” your own Tweets. You “like”
your own Instagram pics. You “pin” selfies on
Pinterest. Stop it. Now.
8.You “check in” at tube stations on the way to
work. You “check in” when you go out to get
your lunchtime Pret salad, you “check in” at
the pub after work. You want to “check in”
when you get home, but you suddenly realise
that though you have remembered your phone
(of course), you have forgotten your keys.
9.The first thing you do on hearing that some-
one famous has died is to Wiki their career
and urgently, in a panicky rush, find the ob-
scurest fact you can find about them so that
you can post an update. “So sad about David
Frost. Of course, his greatest achievement
was being offered a contract at Nottingham
Forest FC. #RIP”
10. Someone tells you a joke, and instead of
laughing out loud, you use the
phrase “lol”. As in, you actually open
your mouth and instead of uttering the purest,
most instinctive proof of humanity, you say
“lol.” And then you laugh at your own clever-
ness.
11. Watching the Great British Bake Off/
Downton/X-Factor your anxiety levels rise to
almost unbearable levels as you desperately
try to be the first person on your timeline to
tweet “Soggy Bottom/Mrs Patmore’s Eyes/
Has Simon had too much work done?”
12. You use the phrase “hashtag” in normal con-
versations. #fail. Or rather “Hashtag fail”
How we moderate..
9
LA RESTAURANT DISCOUNTS
FOR NO-PHONE DINING
(excerpts from full article)
Do you know how attached you are to your cell
phone?  If you don’t, then a new discount of-
fered at Eva Restaurant in Los Angeles will help
you find out.
The new policy offers 5 percent off
the total bill to diners that leave
their cell phones at the door.
Eva’s owner and chef, Mark Gold, said that pol-
icy was implemented to motivate diners to sit
back and enjoy their food and the people that
are actually there with them.
“We want people to try and connect. Our restau-
rant is kind of like home and that is the experi-
ence that we want to give to our customers,”
said Gold. “The phone is a distraction. We al-
ways see families and couples on their phones
and they just aren’t in the moment. We want
people to enjoy their company.”
Gold said that about 40 percent of his patrons
have taken advantage of his offer.
Recently,  technology has become almost un-
avoidable in restaurants. It seems like food papa-
razzi are always at the ready to take pictures of
their food and upload it to various social media
such as Instagram and Pinterest. Not to mention
legions of diners tapping away at their smart
phones and taking calls, oblivious to those
around them.
Other restaurants have implemented similar poli-
cies to try to  hinder cell phone usage, but Gold
hopes that his new policy will motivate people
to stop doing something that he is also guilty of.
“I’m guilty of it as well. When my wife and I go
to dinner it seems like the cell phone is part of
the table setting now. Every table you
look at, it’s a wine glass, the silver-
ware and the cell phone,” he joked.
10
ADDICTIVE
EXPERIENCES
11
12
13
GALLERY 2.1 CANDY CRUSH EXPERIENCE MAP
14
15
GALLERY 2.2 STARBUCKS EXPERIENCE MAP
16
UI DESIGN
EXAMPLES
v
17
UI DESIGN EXAMPLES
The following user interface design galleries are col-
lections of conceptual, structural and aesthetic ideas
that could be integrated into the AFK project. Exam-
ples of Social Categories, News, App Icons, Menus
and Flat Design are explored and used as inspiration.
18
GALLERY 2.2 NEWSGALLERY 2.1 SOCIAL CATEGORIES GALLERY 2.3 APP ICONS
19
GALLERY 2.4 MENU GALLERY 2.5 FLAT DESIGN
BRAND
IDENTITY
3
BRAND
CHARACTER
21
AFK = AWAY FROM KEYBOARD
Used in live chatting to advise people that you will
not be responding until otherwise stated as you will
be away from the computer
22
23
CONFIDENT + UNINTIMIDATING
PROUD + QUIET
PLAYFUL + PROFESSIONAL
POPULAR BUT DOES NOT CARE
AFK BRAND CHARACTER
COLOUR
24
25
26
27
TYPOGRAPHY
28
29
SERIFS
30
31
32
BRAND
CONCEPT
33
34
ELLIPSES [ . . . ]
a series of dots that usually indicates an intentional omission of a
word, sentence, or whole section from a text without altering its
original meaning.
35
THE LOGO
36
SIMPLE & CLEAN
The following visual marks explore colour in the ellipses most
basic and simple form. The advantages of using this punctua-
tion as a representative symbol for AFK are as follows:
1) It is an existing mark holding meaning that reso-
nates with the function of the app
2) As a graphic form, it is a circle shape which can be
used within many design contexts
3) It uses repetition which can be used as a vehicle
for auditory and visual rhythm
37
38
SUPERIMPOSED CAPS
The following visual marks explore form integrating
the app name, AFK, as well as colour. The integration
of text ties the idea of the ellipses into the app con-
cept. The typeface used is Alte Haas Grotesque in
capitals.
39
40
41
SUPERIMPOSED LOWER CASE
Similar to the previous explorations, the following
will explore the typeface super-imposed in lower-
case. The use of lower case offers for a softer look
and more playful when compared to the capitals. The
use of lower-case letters is more consistent with the
brand character.
42
a k
a k
a k
a k
a k
a
a
a
a
a
a k
a k
a k
a k
a k
a
43
SEPARATED ELEMENTS
In the previous exploration, there was a challenge
balancing legibility and design–one always came
at the cost of the other. The following explorations
separate the text from the ellipses.
44
afk
afk
afk afk
afk afk
afk
afk
afk
afk
45
VISUAL STYLE
46
VISUAL STYLE
The visual characteristics of this brand will have the
following features:
1) bold, solid, block colour
2) simplified shapes, primarily making use of
the circle
3) minimalistic details
4) vector-style graphics/illustrations
This style will be communicated through the app inter-
face, logo, and branded posters/teasers.
47
48
THE APP
4
50
APP
DESCRIPTION
51
WHAT IS THE AFK APP?
The AFK app enhances your experience of all the
world has to offer outside of your phone, including go-
ing out to coffee with your friends, taking a walk in
the park and having a family dinner–essentially, face-
time with loved ones.
How does AFK do this? Well, it will help ensure that
you are not interrupted by message, phone call and
social app update notifications. Also, AFK Rewards
will give you points for time spent AFK that will add
up to deals and discounts at your favourite places.
52
DATAFLOW
53
DIAGRAM 4.1 AFK DATAFLOW MODEL
54
DETAILED
WIREFRAMES
55
DIAGRAM 4.2
NEW USERS
The preliminary
structure and function-
ing of the app based on
the dataflow model for
users who have never
opened the app before.
56
DIAGRAM 4.2
EXISTING USERS
The preliminary
structure and function-
ing of the app based on
the dataflow model for
users who have
already opened the
app.
THE
TEASER
5
58
AFK TEASERS
The following are preliminary teaser storyboards.
Each teaser story will be less than 30 seconds and de-
pending on how much time allowed, it will play one
to three different scenarios in a row. At the beginning
at end of each teaser, there will be some for of logo/
brand animation.
These teasers would be featured on the website,
Youtube, as well as in other apps. The teasers are not
only meant to promote the AFK app, but also to en-
courage the audience to reassess their social behav-
iour.
59
@#$@%^ % %^!!!
afk
# i<3 nature
afk
6
THE
RESULTS

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The AFK Project

  • 3. 3 THE A.D.D. GENERATION The AFK project is a reaction to the current state of acceptable social behaviour. The landscape of the so- cial scene has drastically changed in recent years with advent of smart phones, social media apps, and ubiquitous access to the internet. Constant social gratification via social media apps is leading to socie- ties development of F.O.M.O, or fear of missing out. This fear is changing the standard socially acceptable behaviour. Here poses the challenge.
  • 5. 5 REDEFINING SOCIAL The solution to this lies within the accepted stan- dards of what it means to be social, and realize how this standard has changed over time. The addition of technology does not excuse a degradation of social etiquette. Redefining social to embrace new technolo- gies and communication media, while also encourag- ing positive social behaviour is the goal of this pro- ject. Redefining what it means to be social in this day in age is a necessity.
  • 8. 12 SIGNS THAT YOU'RE ADDICTED TO SOCIAL MEDIA (excerpts from full article) Emma Power, a 19-year-old from Sevenoaks, declares that she feels “panic-stricken and physically sick” if she does not post 20 ‘selfies’ a day on Facebook. Well, at least she admits she has a problem. Harry Wallop takes a look at the 12 surest signs that you too could be addicted to social media. 1.You can’t get beyond the main course in a restaurant before you get out your phone and Instagram the duck confit. 2.The very first thing you do when you wake up is reach for your phone (always by the side of your bed, in fact -- usually under your pillow). 3.Your children catch you trying to post Face- book updates while reading their bedtime stories. 4.You greet friends at a party by their Twitter handle. “Hey, @bobcat100, how are you?” 5.You can not visit the lavatory without using the 23 available seconds to investigate how 8
  • 9. many people have liked your photo. Snapchat- ting a selfie while sitting on the loo is a proof you have stopped understanding ba- sic decent behaviour. Rather sadly, so- cial media has killed off the immensely valu- able and intrinsically British “loo book” mar- ket. We now swipe, tap, scroll, wipe. 6.Brian from accounts, on a Monday morning, asks how was your weekend. And your first reaction is “What? did you not see all the amazeball photos I posted on Instagram? How can you not know that I had a *totes* great time?” You say: “Er, it was nice. Thanks.” And then think, I must unfollow Brian, the ungrateful idiot. 7.You “like” your own updates on Facebook. You “favourite” your own Tweets. You “like” your own Instagram pics. You “pin” selfies on Pinterest. Stop it. Now. 8.You “check in” at tube stations on the way to work. You “check in” when you go out to get your lunchtime Pret salad, you “check in” at the pub after work. You want to “check in” when you get home, but you suddenly realise that though you have remembered your phone (of course), you have forgotten your keys. 9.The first thing you do on hearing that some- one famous has died is to Wiki their career and urgently, in a panicky rush, find the ob- scurest fact you can find about them so that you can post an update. “So sad about David Frost. Of course, his greatest achievement was being offered a contract at Nottingham Forest FC. #RIP” 10. Someone tells you a joke, and instead of laughing out loud, you use the phrase “lol”. As in, you actually open your mouth and instead of uttering the purest, most instinctive proof of humanity, you say “lol.” And then you laugh at your own clever- ness. 11. Watching the Great British Bake Off/ Downton/X-Factor your anxiety levels rise to almost unbearable levels as you desperately try to be the first person on your timeline to tweet “Soggy Bottom/Mrs Patmore’s Eyes/ Has Simon had too much work done?” 12. You use the phrase “hashtag” in normal con- versations. #fail. Or rather “Hashtag fail” How we moderate.. 9
  • 10. LA RESTAURANT DISCOUNTS FOR NO-PHONE DINING (excerpts from full article) Do you know how attached you are to your cell phone?  If you don’t, then a new discount of- fered at Eva Restaurant in Los Angeles will help you find out. The new policy offers 5 percent off the total bill to diners that leave their cell phones at the door. Eva’s owner and chef, Mark Gold, said that pol- icy was implemented to motivate diners to sit back and enjoy their food and the people that are actually there with them. “We want people to try and connect. Our restau- rant is kind of like home and that is the experi- ence that we want to give to our customers,” said Gold. “The phone is a distraction. We al- ways see families and couples on their phones and they just aren’t in the moment. We want people to enjoy their company.” Gold said that about 40 percent of his patrons have taken advantage of his offer. Recently,  technology has become almost un- avoidable in restaurants. It seems like food papa- razzi are always at the ready to take pictures of their food and upload it to various social media such as Instagram and Pinterest. Not to mention legions of diners tapping away at their smart phones and taking calls, oblivious to those around them. Other restaurants have implemented similar poli- cies to try to  hinder cell phone usage, but Gold hopes that his new policy will motivate people to stop doing something that he is also guilty of. “I’m guilty of it as well. When my wife and I go to dinner it seems like the cell phone is part of the table setting now. Every table you look at, it’s a wine glass, the silver- ware and the cell phone,” he joked. 10
  • 12. 12
  • 13. 13 GALLERY 2.1 CANDY CRUSH EXPERIENCE MAP
  • 14. 14
  • 15. 15 GALLERY 2.2 STARBUCKS EXPERIENCE MAP
  • 17. v 17 UI DESIGN EXAMPLES The following user interface design galleries are col- lections of conceptual, structural and aesthetic ideas that could be integrated into the AFK project. Exam- ples of Social Categories, News, App Icons, Menus and Flat Design are explored and used as inspiration.
  • 18. 18 GALLERY 2.2 NEWSGALLERY 2.1 SOCIAL CATEGORIES GALLERY 2.3 APP ICONS
  • 19. 19 GALLERY 2.4 MENU GALLERY 2.5 FLAT DESIGN
  • 22. AFK = AWAY FROM KEYBOARD Used in live chatting to advise people that you will not be responding until otherwise stated as you will be away from the computer 22
  • 23. 23 CONFIDENT + UNINTIMIDATING PROUD + QUIET PLAYFUL + PROFESSIONAL POPULAR BUT DOES NOT CARE AFK BRAND CHARACTER
  • 25. 25
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  • 27. 27
  • 30. 30
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  • 32. 32
  • 34. 34 ELLIPSES [ . . . ] a series of dots that usually indicates an intentional omission of a word, sentence, or whole section from a text without altering its original meaning.
  • 36. 36 SIMPLE & CLEAN The following visual marks explore colour in the ellipses most basic and simple form. The advantages of using this punctua- tion as a representative symbol for AFK are as follows: 1) It is an existing mark holding meaning that reso- nates with the function of the app 2) As a graphic form, it is a circle shape which can be used within many design contexts 3) It uses repetition which can be used as a vehicle for auditory and visual rhythm
  • 37. 37
  • 38. 38 SUPERIMPOSED CAPS The following visual marks explore form integrating the app name, AFK, as well as colour. The integration of text ties the idea of the ellipses into the app con- cept. The typeface used is Alte Haas Grotesque in capitals.
  • 39. 39
  • 40. 40
  • 41. 41 SUPERIMPOSED LOWER CASE Similar to the previous explorations, the following will explore the typeface super-imposed in lower- case. The use of lower case offers for a softer look and more playful when compared to the capitals. The use of lower-case letters is more consistent with the brand character.
  • 42. 42 a k a k a k a k a k a a a a a a k a k a k a k a k a
  • 43. 43 SEPARATED ELEMENTS In the previous exploration, there was a challenge balancing legibility and design–one always came at the cost of the other. The following explorations separate the text from the ellipses.
  • 46. 46 VISUAL STYLE The visual characteristics of this brand will have the following features: 1) bold, solid, block colour 2) simplified shapes, primarily making use of the circle 3) minimalistic details 4) vector-style graphics/illustrations This style will be communicated through the app inter- face, logo, and branded posters/teasers.
  • 47. 47
  • 48. 48
  • 51. 51 WHAT IS THE AFK APP? The AFK app enhances your experience of all the world has to offer outside of your phone, including go- ing out to coffee with your friends, taking a walk in the park and having a family dinner–essentially, face- time with loved ones. How does AFK do this? Well, it will help ensure that you are not interrupted by message, phone call and social app update notifications. Also, AFK Rewards will give you points for time spent AFK that will add up to deals and discounts at your favourite places.
  • 53. 53 DIAGRAM 4.1 AFK DATAFLOW MODEL
  • 55. 55 DIAGRAM 4.2 NEW USERS The preliminary structure and function- ing of the app based on the dataflow model for users who have never opened the app before.
  • 56. 56 DIAGRAM 4.2 EXISTING USERS The preliminary structure and function- ing of the app based on the dataflow model for users who have already opened the app.
  • 58. 58 AFK TEASERS The following are preliminary teaser storyboards. Each teaser story will be less than 30 seconds and de- pending on how much time allowed, it will play one to three different scenarios in a row. At the beginning at end of each teaser, there will be some for of logo/ brand animation. These teasers would be featured on the website, Youtube, as well as in other apps. The teasers are not only meant to promote the AFK app, but also to en- courage the audience to reassess their social behav- iour.
  • 59. 59 @#$@%^ % %^!!! afk # i<3 nature afk